Death Valley Photography Workshops
Lynn Radeka and Mari Calai
15 - 19, 2021
Open to film and digital photographers
of any experience level. Registration below
© Mari Calai
Lynn Radeka and Mari Calai for our November 2021 Death Valley
photography workshop marking Lynn Radeka's 55th year exploring
Death Valley! Experience the adventure of photographing Death
Valley's remarkable places in this very popular workshop series,
now expanded with two schedules for 2021. A true photographer's
desert paradise, Death Valley has inspired master photographers
such as Ansel Adams and Edward Weston to produce some of their
notable and outstanding images of this captivating and photogenic
wilderness landscape. Today, few photographers know Death Valley's
intimate canyons and vast open expanses better than Lynn Radeka
who has hiked, camped and photographed in Death Valley since
workshop will be co-instructed by Mari Calai, a true visionary
who will offer a different and unique perspective. Mari's images
are often very personal and thought-provoking, sometimes invoking
a feeling of mystery and a personal emotional connection with
the subject far beyond the ability of most photographers. Her
energy and unique insight will be an inspiration to everyone,
whether a beginner or a seasoned photographer. It is exciting
having her on-board for the first time in this workshop series!
Ron Gaut will be assisting us at this workshop as he has so
valuably and graciously done through most of this workshop series.
Ron has shared his amazing and rare talent with no restrictions.
He has hiked and explored Death Valley's vast expanses and intimate
canyons for decades and has a visually stunning collection of
workshop is open to all photographers whether shooting large
or small format black and white or color, film or digital!
No photographer will be rushed regardless of his/her film
format or digital format and experience level. We
have seen too many workshop hosts rush the participants simply
to run to the next destination. Limited campground and trailside
lunches will be provided by Lynn Radeka, Mari Calai and Ron
Gaut, but each participant will be expected to be self-sufficient
with regards to breakfasts and dinners. Please inquire about
any concerns. Since we will be based at Stovepipe Wells, a restaurant
and small market is available for breakfasts and dinners. A
motel is also available across the street from the campground,
walking distance. In all respects, Stovepipe Wells, with it's
old western atmosphere, is far less expensive than the Furnace
Creek area (gas, food, lodging, etc.) and is centrally located
so our daily adventures will be more efficient. Upon your registration
for this workshop you'll be given information for booking your
rooms early. Camping is of course available and we will be spending
the evenings at the campground discussing photography and each
will be visiting some of Death Valley's most popular and unusual
areas. Depending on the number of 4wd vehicles we have available,
we will most likely visit a few 4 wheel drive back country locations,
exploring photographic opportunities that most other Death Valley
workshops don't visit. After all, half of the unique photographic
possibilities Death Valley has to offer are found in the exciting
canyons and backroads! If you do not plan on bringing a 4WD
vehicle, there will most likely be opportunities to ride along
with other participants or to share in the rental cost of a
on our daily timing, Lynn, Mari and Ron will be reviewing each
day's shoot on a laptop computer and commenting on possible
image manipulations and improvements. For photographers shooting
traditional film formats (large, medium or small) we may be
shooting a similar digital shot on the scene when possible so
that we can make appropriate comments and suggested print quality
enhancements (including contrast masking) on the computer in
the evenings. Digital photographers will enjoy the array of
unusual and interesting software programs and techniques we
may be demonstrating in the evenings including panorama stitching,
focus stacking for extreme depth-of-field, and other image optimization
of the highlights of this workshop is our evening print gathering
where the instructors and participants can view and comment
on each other's images. Please bring at least 2 prints to show,
regardless if they are finished prints or test strips. We realize
that because of airline travel this may be difficult so it's
not absolutely necessary.
2020. Copyright © Mari Calai
will be handing out durable cutout viewing cards (an excellent
aid in discovering and visualizing compositions) to everyone.
He and Mari will be assisting attendees in obtaining the best
exposures and white balance settings using RAW format for those
photographers shooting digital. For those photographers shooting
traditional large format film, he will assist in view camera
controls and the use of zone system methods including previsualization,
filtration, exposure and development, and visualization of images
with the intent of using contrast masking during printing (no
previous experience necessary!). For those using small or medium
format film, Mari will assist in visualization and technical
aspects. Equally enjoyable though are the adventures by car,
4WD or on foot into Death Valley's most photogenic areas. We
do not plan on any strenuous long distance hiking but if you
have concerns please contact us and we will do our best to accommodate
the workshop is over, each participant is invited to send or
e-mail images from the workshop which will be posted on the
Radeka Photography Workshops Facebook page, for all participants
to view, critique or comment on. Lynn may also select several
images from each participant and optimize them in such a way
as to demonstrate alternate ways of printing the images, including
suggested uses of masks, etc.
those who are able and willing, expect some short distance hiking
with your camera gear and some possible bumpy dirt roads (depending
on available vehicles). Tag-alongs are not allowed on this workshop
except for husband or wife of a paid participant. Participants
with spouses are expected to be self-sufficient with regards
to all meals for the spouse. A restaurant and small market are
right next to the campground and motel. This workshop is limited
to eight paid participants. Please see the signup details below.
better customize this workshop to fill your needs, please
download and fill in this brief questionnaire and return
it via email to email@example.com.
Copyright © Lynn Radeka
in his early work by Ansel Adams and Wynn Bullock, Lynn Radekas
professional photography career spans over 50 years. His love
of the grand landscapes and intimate details of the American
West was born on his first trip to Death Valley in 1966.
Radekas Black and White photography has been featured
in eight National Park posters and several calendars including
the calendar series Radeka: The American
West and several ghost town calendars published by Browntrout
publishers. In 1989 and 1990 he was commissioned by Moore and
Moore Publishers (New York) to do the photography for five full-color
books, taking him on a 2 year journey through the back roads,
historic places and ghost towns of the entire American West.
Lynn also has the honor of being a featured photographer in
the book publication "World's
Top Photographers: Landscape" and has been published
in LensWork, Classic Imaging Magazine,
B&W Magazine, View Camera
Magazine and other photography publications.
currently teaches workshops in Death Valley, Utah and New Mexico,
and Contrast Masking workshops in his home darkroom in California.
He is the producer and co-author of the Contrast
Masking Kit - a technical manual
for traditional film-based photographers. Lynn feels completely
at home using a 4x5 view camera for his film-based work and
more recently a Sony A7R mirrorless camera for his digital work.
visit the bio page of this website for more information.
born artist Mari Calai has travelled throughout the world and
now makes the USA her home. Influenced to a great extent by
the work of Henri Cartier-Bresson and Edward Weston, she is
adept at using small and medium format film cameras, currently
a Rolleiflex, as well as digital. Having garnered several exhibits
throughout the world, Mari's first book, titled Adagio,
was published after a successful one-woman show in South Korea,
where she lived at the time. Adagio
is a book of black and white photographs of her children, lovingly
portrayed with an honesty and sensitivity rarely seen in photography.
one to sit idle, with unstoppable energy (she was recently honored
with a Master's degree and can speak several languages), Mari
is always looking for her next adventure. She began using her
innate artistic skills by painting and in just a couple short
years her paintings have been exhibited in galleries and sold
to collectors. Her work is of an eclectic nature as she has
an interest in pursuing different styles and techniques, whether
it be painting, street-style photography, or, more recently,
fine-art landscape and detail photography - all with her own
newest book, titled DOR,
will be published in 2021.
Gaut discovered the outdoors at an early age and developed
a deep passion for wilderness and photography. Not surprising,
with Ron's 30-year engineering background and thirst to
learn about photographic processes, in the early 1990's
he began to experiment with many different films, developers,
silver papers and alternative processes. He quantified much
of his work by sensitometric analysis to determine the film/developer
and paper/developer combination properties for different
film and paper development methods, submitting the results
as thesis papers at a local college.
in his early work by Ansel Adams, John Sexton, Lynn Radeka,
Ray McSavaney, and other contemporary "west coast"
landscape masters, Ron traveled and photographed the southwest
with his 4x5 view camera, particularly Death Valley. "Death
Valley is probably the most dynamic and diverse national
park in America. It's like a big, beautiful painting; you
could sit and stare for hours picking out all the different
pieces". Ron's style reflects his feelings about Death
Valley: he enjoys photographing the intimate details of
Gaut is an expert in digital techniques. "I enjoy the
digital workflow. However, there is a steep learning curve
to becoming proficient and printing your own work is essential."
Ron uses Lightroom for global adjustments and Photoshop
to fine-tune his images before printing. He has firmly established
himself as an accomplished photographer and printer, receiving
awards and accolades from critics and through photography
© Lynn Radeka
© Ron Gaut
Road, Titus Canyon.
Copyright © Lynn Radeka
Copyright © Lynn Radeka
Valley Photography Workshop Registration
15 - 19, 2021
limited to eight participants
To better customize this workshop
to fill your needs, please
download and fill in this brief questionnaire and
return it via email to firstname.lastname@example.org.
Death Valley, California. Stovepipe Wells will be our base. Camping
and motel rooms are available. Contact us for details.
Total workshop fee: $1400.
(reservation: $700, remainder fee: $700)
Tuition: Reservations and
remaining payment can be made here
Duration: 5 Days.
Materials to bring: Cameras - digital or traditional, accessories
(film, storage media, changing bags), camping equipment, gas money,
food money, water.
Contact: Lynn Radeka via phone at 714-828-4376 or e-mail
for questions or more information.
Bio | Ordering